upcoming

Brayden Jones
Redundant Excess
July 4–26, 2025
Conduit Gallery

Opening Reception: July 4, 7–10pm

Brayden Jones seeks to highlight how commodification of the queer body parallels the production and consumption of meat.

“The idealized queer body is both sexually consumed and coveted within queer spaces and by actors who seek to profit from it. It seems that both queer people and those outside of the community fail to prioritize the rights and safety of those at risk when inconvenient to do so. This act of commodification treats those affected as though they are cattle raised for the consumption of others, otherwise expendable within heteronormative culture.

Queer people have seemingly been placed on a chopping block, useless to the platforms of the right-wing politicians who seek to erase all forms of queerness. Violent responses regarding queerness, by those who hold fragile power, are the result of a capitalistic need to scapegoat and shift public blame away from socio-political and economic issues.”

Brayden Jones is a queer visual artist and a graduate of the University of Windsor, where they studied Communication, Media, and Film alongside Visual Arts. His body of work focuses on historical and contemporary queer issues, represented through drawing, soft sculpture, installation, and time-based mediums. Brayden seeks to understand his existence as a queer person within an ever-changing heteronormative society along with the ways history has treated 2SLGBTQIA+ people, therefore influencing an expression of queerness in a modern context. Through his work, Brayden hopes to highlight the ways politics and culture influence the lives of queer people.


Images:
1. Brayden Jones, Normative Consumption (detail), 2025, polyester stuffing, nylon stockings, clothing, plastic bags, butcher hooks, gesso, ink, acrylic paint.
2. Brayden Jones, Normative Figure 1, 2024, shirt, polyester stuffing, muslin, rhinestones, yarn, butcher hooks, gesso, ink, acrylic paint.
3. Brayden Jones, Normative Consumption (installation view), 2024, polyester stuffing, nylon stockings, clothing, plastic bags, galvanized steel pipes, butcher hooks, gesso, ink, acrylic paint.
4. Brayden Jones, Normative Consumption (installation view), 2025, polyester stuffing, nylon stockings, clothing, plastic bags, butcher hooks, gesso, ink.
Photos: Brayden Jones.